Victoria Littlejohn Ceramic Chicken Wall Plaque Art

Price $750

or from $62.50/mo with Affirm

Dimensions
18.50in H x 16.50in W x 1in D
Materials
Glazed Ceramic, Walnut Wood

Pick up from store

5448 E. Olympic Blvd., Los Angeles, CA 90022

U.S. Shipping

$150

L.A. Shipping

Starting at $95

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Victoria Littlejohn Ceramic Chicken Wall Plaque Art

$750

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Ask about Victoria Littlejohn Ceramic Chicken Wall Plaque Art

15+
Years of restoration craft
8,000
Pieces restored in-house
80+
Designers represented

This charming ceramic wall art by Victoria Littlejohn, crafted in the 1970s, is a striking representation of Mid-Century Modern artistry. Featuring a beautifully glazed ceramic chicken mounted on a woven fabric backdrop and framed in walnut wood, this piece showcases Littlejohn’s signature handcrafted aesthetic. The rich earth tones and bold textures bring a dynamic, tactile quality to the artwork, making it a perfect addition to any collector’s space. Preserved in very good original condition, it captures the warmth and organic appeal of handcrafted ceramics from the era.

A fun historical fact: Victoria Littlejohn was a celebrated ceramic artist known for her playful and expressive designs. She was part of the California Clay Movement, a post-war artistic shift that pushed ceramics beyond functional pottery and into the realm of fine art. This piece is a wonderful example of that movement, blending craftsmanship with artistic storytelling.

Discover more information about this beautiful piece by watching this video, click here

Product care

Wood care tip

Wood

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Ceramic and Pottery care tip

Ceramic and Pottery

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Victoria Littlejohn

Designer spotlight

Victoria Littlejohn

Renowned for his elegant and timeless teak seating and dining designs.

All Møller pieces
After
Before
Drag to reveal - 64 hours of bench work

The Restoration Record

Everything we touched, and everything we left alone

Sixty-four hours of bench time by two craftsmen in our Hyperion Avenue workshop. Period-correct methods and materials throughout.

Frame fully disassembled, joints cleaned of old glue and re-set with hide glue. One rear stretcher replaced with salvaged period teak, grain-matched.
Stripped by hand, sanded through 120/180/240/320 grit, then three coats of Danish oil cut back between coats. No lacquer, no filler, no stain.
New jute webbing over the original beech rails; horsehair and natural latex pad; Kvadrat wool bouclé in undyed oat.
Maker's stamp, original brass fittings and the patina on the arm caps, the marks that prove the piece lived.