Sonna Rosén "Sun Feather" Arm Chairs for Nässjö Stolfabrik

Price Sold
Dimensions
29.50in H x 24in W x 23.50in D / / / Seat Height 17.50in /
Materials
Walnut-Stained Beechwood, New Italian Full-Grain Leather, New High-Density Foam

Pick up from store

5448 E. Olympic Blvd., Los Angeles, CA 90022

U.S. Shipping

$150

L.A. Shipping

Starting at $95

Simple & flexible returns

If it's not a perfect fit, send it back. Read our Return Policy.
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Sonna Rosén "Sun Feather" Arm Chairs for Nässjö Stolfabrik

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15+
Years of restoration craft
8,000
Pieces restored in-house
80+
Designers represented

Iconic easy modern chairs designed by Sonna Rosén for Nässjö Stolfabrik in Sweden in 1948. This early example of the “Sun Feather” spindle chairs was inspired by the shaker design movement showcasing remarkable craftsmanship throughout the chair design earning it the MoMA good design award in 1950 in New York. It features a walnut-stained beechwood frame with a sturdy new high-density foam cushion reupholstered in black Italian full-grain leather for a beautiful contrast. The slated back and sleek legs ensure comfort for long periods of seating while embodying Scandinavian furniture design and minimalist aesthetics at its finest. This excellent example has been professionally refinished by our expert craftsmen team, creating the perfect blend of elegance and simplicity for a sophisticated profile to decorate your favorite home or office space.

Product care

Wood care tip

Wood

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Leather care tip

Leather

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Sonna Rosén

Designer spotlight

Sonna Rosén

Renowned for his elegant and timeless teak seating and dining designs.

All Møller pieces
After
Before
Drag to reveal - 64 hours of bench work

The Restoration Record

Everything we touched, and everything we left alone

Sixty-four hours of bench time by two craftsmen in our Hyperion Avenue workshop. Period-correct methods and materials throughout.

Frame fully disassembled, joints cleaned of old glue and re-set with hide glue. One rear stretcher replaced with salvaged period teak, grain-matched.
Stripped by hand, sanded through 120/180/240/320 grit, then three coats of Danish oil cut back between coats. No lacquer, no filler, no stain.
New jute webbing over the original beech rails; horsehair and natural latex pad; Kvadrat wool bouclé in undyed oat.
Maker's stamp, original brass fittings and the patina on the arm caps, the marks that prove the piece lived.