Paul Laszlo Sculpted Console Table for Brown Saltman

Name: Paul Laszlo Sculpted Console Table for Brown Saltman
Brand: Brown Saltman
Price: 4895.00 USD
Availability: OutOfStock

Paul Laszlo

United States, 1960-1969

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Dimensions: 31in H x 54in W x 19in D
Materials: Walnut-Stained Mahogany

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5448 E. Olympic Blvd., Los Angeles, CA 90022

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$150

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Starting at $95

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Paul Laszlo Sculpted Console Table for Brown Saltman

Paul Laszlo

United States, 1960-1969

15+: Years of restoration craft
8,000: Pieces restored in-house
80+: Designers represented

Sleek and curvature console table designed by fame Hungarian-born modern architect and interior designer Paul Laszlo. This example was designed in collaboration with California company, Brown Saltman, who operated in the city of Los Angeles in the 1960s. This elegant console table features a beautiful warm walnut-stained mahogany wood frame that only comes from the best natural wood's Brown Saltman was known. It features a tall geometric base that gives it a floating aesthetic, and its unique sculpted fin-like pulls on each dovetailed drawer sets this piece apart from others. Its left side features a single drawer acting as two drawers for deep space, and the right side features two drawers with the top one having a removable tray. Through our professional craftsmen, we have meticulously restored it for optimal functionality to add many more years of use, keeping all original design principles and the "Brown Saltman" brand stamp inside one of the drawers, preserving its historical value.

Product care

Wood

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Designer spotlight

Paul Laszlo

Renowned for his elegant and timeless teak seating and dining designs.

All Møller pieces

After

Before

Drag to reveal - 64 hours of bench work

The Restoration Record

Everything we touched, and everything we left alone

Sixty-four hours of bench time by two craftsmen in our Hyperion Avenue workshop. Period-correct methods and materials throughout.

Frame fully disassembled, joints cleaned of old glue and re-set with hide glue. One rear stretcher replaced with salvaged period teak, grain-matched.

Stripped by hand, sanded through 120/180/240/320 grit, then three coats of Danish oil cut back between coats. No lacquer, no filler, no stain.

New jute webbing over the original beech rails; horsehair and natural latex pad; Kvadrat wool bouclé in undyed oat.

Maker's stamp, original brass fittings and the patina on the arm caps, the marks that prove the piece lived.