Mid-Century Modern Pipe Line Series II Arm Chairs by Jeff Messerschmidt

Price Sold
Dimensions
30.50in H x 23in W x 23.50in D / / / Seat Height: 20.50in /
Materials
Lucite, Steel, Tweed Upholstery

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5448 E. Olympic Blvd., Los Angeles, CA 90022

U.S. Shipping

$150

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Starting at $95

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Mid-Century Modern Pipe Line Series II Arm Chairs by Jeff Messerschmidt

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15+
Years of restoration craft
8,000
Pieces restored in-house
80+
Designers represented

Pair of iconic armchairs designed by Jeff Messerschmidt manufactured by Jeff Messerschmidt Studio in the United States circa 1980s. This unique design belongs to the Pipeline Series II and features a lucite frame with steel hardware. The clean, modern lines give these chairs a lightweight and elegant appearance. The sets of new high-density foam loose cushions have been upholstered in a vibrant blue tweed upholstery which provide excellent comfort and pair beautifully with the clear lucite and metal details. These chairs reflect the essence of mid-century modern, making them the perfect addition to any office, home or business. Each piece is numbered, dated and signed by the designer.

Product care

Upholstery care tip

Upholstery

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Jeff Messerschmidt

Designer spotlight

Jeff Messerschmidt

Renowned for his elegant and timeless teak seating and dining designs.

All Møller pieces
After
Before
Drag to reveal - 64 hours of bench work

The Restoration Record

Everything we touched, and everything we left alone

Sixty-four hours of bench time by two craftsmen in our Hyperion Avenue workshop. Period-correct methods and materials throughout.

Frame fully disassembled, joints cleaned of old glue and re-set with hide glue. One rear stretcher replaced with salvaged period teak, grain-matched.
Stripped by hand, sanded through 120/180/240/320 grit, then three coats of Danish oil cut back between coats. No lacquer, no filler, no stain.
New jute webbing over the original beech rails; horsehair and natural latex pad; Kvadrat wool bouclé in undyed oat.
Maker's stamp, original brass fittings and the patina on the arm caps, the marks that prove the piece lived.