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  • Mid-Century Modern Asymmetrical Table Lamps with Frosted Globes
  • Mid-Century Modern Asymmetrical Table Lamps with Frosted Globes
  • Mid-Century Modern Asymmetrical Table Lamps with Frosted Globes
  • Mid-Century Modern Asymmetrical Table Lamps with Frosted Globes
  • Mid-Century Modern Asymmetrical Table Lamps with Frosted Globes
  • Mid-Century Modern Asymmetrical Table Lamps with Frosted Globes
  • Mid-Century Modern Asymmetrical Table Lamps with Frosted Globes
  • Mid-Century Modern Asymmetrical Table Lamps with Frosted Globes
  • Mid-Century Modern Asymmetrical Table Lamps with Frosted Globes

Mid-Century Modern Asymmetrical Table Lamps with Frosted Globes

Unknown

United States, 1960-1969

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Dimensions
20in H x 9.50in W x 9.50 D
Materials
Walnut Wood, Original Frosted Glasses
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5448 E. Olympic Blvd., Los Angeles, CA 90022

U.S. Shipping

$150

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Starting at $95

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Mid-Century Modern Asymmetrical Table Lamps with Frosted Globes

Unknown

United States, 1960-1969

Inquiry

Ask about Mid-Century Modern Asymmetrical Table Lamps with Frosted Globes
15+
Years of restoration craft
8,000
Pieces restored in-house
80+
Designers represented

Pair of elegant table lamps designed and manufactured in the United States circa 1960s. These fantastic modern lamps feature a walnut wood body with an exquisite grain detail throughout adding texture and warmth to this rare design. The bases have been professionally refinished by our expert craftsmen keeping the original aesthetic to preserve its stylistic character. Both lamps maintain their original frosted glass globes in mint condition creating a unique geometric symmetry while providing a unique flair to your interior.

Product care

Wood care tip

Wood

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Glass care tip

Glass

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Unknown

Designer spotlight

Unknown

Renowned for his elegant and timeless teak seating and dining designs.

All Møller pieces
After
Before
Drag to reveal - 64 hours of bench work

The Restoration Record

Everything we touched, and everything we left alone

Sixty-four hours of bench time by two craftsmen in our Hyperion Avenue workshop. Period-correct methods and materials throughout.

Frame fully disassembled, joints cleaned of old glue and re-set with hide glue. One rear stretcher replaced with salvaged period teak, grain-matched.
Stripped by hand, sanded through 120/180/240/320 grit, then three coats of Danish oil cut back between coats. No lacquer, no filler, no stain.
New jute webbing over the original beech rails; horsehair and natural latex pad; Kvadrat wool bouclé in undyed oat.
Maker's stamp, original brass fittings and the patina on the arm caps, the marks that prove the piece lived.