Lynn Lawrence Carved Biomorphic Floor Lamp for Modeline of CA

Price Sold
Dimensions
68.50in H x 14in W x 11.50in DLamp Shade12in H x 18.25in W x 18.25in D
Materials
Walnut-Stained Ash Wood, New Custom Linen Shade

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5448 E. Olympic Blvd., Los Angeles, CA 90022

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$150

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Starting at $95

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Lynn Lawrence Carved Biomorphic Floor Lamp for Modeline of CA

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15+
Years of restoration craft
8,000
Pieces restored in-house
80+
Designers represented

Designed by Lynn Lawrence for Modeline of California, this carved biomorphic floor lamp feels less like décor and more like a sculptural art object you get to live with every day. Hand-carved from a single solid piece of wood, the base has a naturally flowing, organic silhouette that highlights the beauty of the grain and the precision of the carving. As the lamp is lit, the contours create soft highlights and shadow lines that shift across the surface—almost like light moving over a small-scale sculpture in a gallery. Emerging in the late 1940s as one of Modeline’s earliest modern designs, it’s a standout example of the company’s forward-thinking collaborations with artists like Lynn Lawrence at the very beginning of California Modern lighting. Newly refinished, newly rewired, and paired with a fresh linen shade, it’s ready to use while still preserving the original character that makes these early Modeline pieces so special. With its warm, tactile form and modern simplicity, it brings an elevated, collected feel to any room—whether styled beside a lounge chair or used as a statement piece in a corner.

Fun Historical Fact
 Lynn Lawrence was originally trained as a sculptor, which is exactly why her lighting designs have such a strong sense of form and presence even when they’re not turned on. Her collaboration with Modeline was especially notable in the mid-century era because women were far less commonly credited as designers in the lighting industry, making her work feel rare and trailblazing. Modeline, founded in Los Angeles by Bernie Roberts, was known for embracing modern design and working with artists to create pieces that blurred the line between function and sculpture. That spirit of artistic collaboration is a big reason early Modeline designs like this remain so collectible today.

Discover more information about this beautiful piece by watching this video, click here

Product care

Wood care tip

Wood

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Lynn Lawrence

Designer spotlight

Lynn Lawrence

Renowned for his elegant and timeless teak seating and dining designs.

All Møller pieces
After
Before
Drag to reveal - 64 hours of bench work

The Restoration Record

Everything we touched, and everything we left alone

Sixty-four hours of bench time by two craftsmen in our Hyperion Avenue workshop. Period-correct methods and materials throughout.

Frame fully disassembled, joints cleaned of old glue and re-set with hide glue. One rear stretcher replaced with salvaged period teak, grain-matched.
Stripped by hand, sanded through 120/180/240/320 grit, then three coats of Danish oil cut back between coats. No lacquer, no filler, no stain.
New jute webbing over the original beech rails; horsehair and natural latex pad; Kvadrat wool bouclé in undyed oat.
Maker's stamp, original brass fittings and the patina on the arm caps, the marks that prove the piece lived.