Louis Van Teeffelen Teak Credenza for Wébé

Name: Louis Van Teeffelen Teak Credenza for Wébé
Brand: Wébé
Price: 4200.00 USD
Availability: OutOfStock

Louis Van Teeffelen, Jaap Ravelli

Netherlands, 1950-1959

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Dimensions: 46in H x 78.75in W x 19.5in D
Materials: Teak Wood, Tile Accents by Ceramist Jaap Ravelli

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5448 E. Olympic Blvd., Los Angeles, CA 90022

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$150

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Louis Van Teeffelen Teak Credenza for Wébé

Louis Van Teeffelen, Jaap Ravelli

Netherlands, 1950-1959

15+: Years of restoration craft
8,000: Pieces restored in-house
80+: Designers represented

Tall credenza designed by Louis Van Teeffelen for Wébé in the Netherlands circa 1950’s. Inspired by Scandinavian design, Van Teeffelen’s stunning credenza features a teak wood case with sharp flared out legs. The doors on the upper right feature ceramic art work by Jaap Ravelli. When opened with the provided, original key, a spacious shelved interior is exposed. The left side features a drop-down door revealing a beautiful bar with a mirror and two trays. The lower part is composed of four drawers that are adorned with his signature anthropomorphic “smiling” handles.

Product care

Ceramic and Pottery

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Chrome and Brass

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Glass

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Lacquer

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Designer spotlight

Louis Van Teeffelen, Jaap Ravelli

Renowned for his elegant and timeless teak seating and dining designs.

All Møller pieces

After

Before

Drag to reveal - 64 hours of bench work

The Restoration Record

Everything we touched, and everything we left alone

Sixty-four hours of bench time by two craftsmen in our Hyperion Avenue workshop. Period-correct methods and materials throughout.

Frame fully disassembled, joints cleaned of old glue and re-set with hide glue. One rear stretcher replaced with salvaged period teak, grain-matched.

Stripped by hand, sanded through 120/180/240/320 grit, then three coats of Danish oil cut back between coats. No lacquer, no filler, no stain.

New jute webbing over the original beech rails; horsehair and natural latex pad; Kvadrat wool bouclé in undyed oat.

Maker's stamp, original brass fittings and the patina on the arm caps, the marks that prove the piece lived.