Kurt Ostervig Model-301 Reclining Lounge Chair for Jason Møbler

Price Sold
Dimensions
33in H x 27.25in W x 31in D / / Seat Height 17.50in
Materials
Teak Wood, Oak Wood, New Tweed Fabric

Pick up from store

5448 E. Olympic Blvd., Los Angeles, CA 90022

U.S. Shipping

$150

L.A. Shipping

Starting at $95

Simple & flexible returns

If it's not a perfect fit, send it back. Read our Return Policy.
Rated 5.0 out of 5 (550 Reviews )

Read excellent ratings about our products, customer service, quality, and shipping.

Kurt Ostervig Model-301 Reclining Lounge Chair for Jason Møbler

Inquiry

Ask about Kurt Ostervig Model-301 Reclining Lounge Chair for Jason Møbler

15+
Years of restoration craft
8,000
Pieces restored in-house
80+
Designers represented

Stylish reclining Danish Modern lounge chair designed by Kurt Østervig for Jason Møbler in Denmark in 1956. This beautiful Model 301 lounge chair features a solid oak wood frame with curved teak wood sculpted armrests balancing the design's symmetry while featuring two reclining positions for maximum comfort and stability. Both cushions have been upholstered with new tweed fabric, and the frame has been refinished by our professional craftsmen team to ensure optimal comfort and many more years of use. This exceptional Danish design is a rare chair to find and makes for a great addition to any modern interior.

Product care

Wood care tip

Wood

{"type":"root","children":[{"type":"list","listType":"unordered","children":[{"type":"list-item","children":[{"type":"text","value":"Keep the furniture in a cool, dry place"}]},{"type":"list-item","children":[{"type":"text","value":"Avoid furniture's direct exposure to rain, sun or wind"}]},{"type":"list-item","children":[{"type":"text","value":"Avoid placing hot objects directly on the piece to prevent undesirable marks or permanent circles."}]},{"type":"list-item","children":[{"type":"text","value":"Avoid placing objects that may cause scratches to the surface"}]},{"type":"list-item","children":[{"type":"text","value":"Clean using water only in small quantities and apply it with soft, damp cloth"}]},{"type":"list-item","children":[{"type":"text","value":"After damp cloth wipe with a soft, dry cloth"}]},{"type":"list-item","children":[{"type":"text","value":"You can use other liquids that are especially for cleaning wood furniture. Take into account the type of wood and follow the manufacturer's instructions"}]}]}]}
Upholstery care tip

Upholstery

{"type":"root","children":[{"type":"list","listType":"unordered","children":[{"type":"list-item","children":[{"type":"text","value":"Do not expose directly to sunlight to provide greater durability colors"}]},{"type":"list-item","children":[{"type":"text","value":"Exchange both side pads, the seat and backrest, to obtain uniform wear"}]},{"type":"list-item","children":[{"type":"text","value":"Shake the cushions regularly to remove dust and to maintain the stability of the form"}]},{"type":"list-item","children":[{"type":"text","value":"Clean regularly with a vacuum cleaner in good condition"}]},{"type":"list-item","children":[{"type":"text","value":"Use a textile fabric cleaning substance according to and following the manufacturer's instructions"}]}]}]}
Kurt Østervig

Designer spotlight

Kurt Østervig

Renowned for his elegant and timeless teak seating and dining designs.

All Møller pieces
After
Before
Drag to reveal - 64 hours of bench work

The Restoration Record

Everything we touched, and everything we left alone

Sixty-four hours of bench time by two craftsmen in our Hyperion Avenue workshop. Period-correct methods and materials throughout.

Frame fully disassembled, joints cleaned of old glue and re-set with hide glue. One rear stretcher replaced with salvaged period teak, grain-matched.
Stripped by hand, sanded through 120/180/240/320 grit, then three coats of Danish oil cut back between coats. No lacquer, no filler, no stain.
New jute webbing over the original beech rails; horsehair and natural latex pad; Kvadrat wool bouclé in undyed oat.
Maker's stamp, original brass fittings and the patina on the arm caps, the marks that prove the piece lived.