Gunni Omann Model-75 Floating-Top Desk for Omann Jun

Name: Gunni Omann Model-75 Floating-Top Desk for Omann Jun
Brand: Omann Jun
Price: 5500.00 USD
Availability: OutOfStock

Gunni Omann

Denmark, 1960-1969

Sold

Dimensions: 29in H x 60in W x 32in D
Materials: Teak Wood, Brass Hardware, Brass Skeleton Key

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5448 E. Olympic Blvd., Los Angeles, CA 90022

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$150

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Starting at $95

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Gunni Omann Model-75 Floating-Top Desk for Omann Jun

Gunni Omann

Denmark, 1960-1969

15+: Years of restoration craft
8,000: Pieces restored in-house
80+: Designers represented

A stunning modern executive desk designed by architect Gunni Omann for his family-owned company Omann Jun, in Denmark circa 1960s. The handcrafted profile and sculptural Model-75 desk features a sturdy frame that helps elevate the case of drawers and give the top a floating top appeal. Its front features a three-drawer stack on the left side, and the right side features a large drawer to accommodate files easily. Each drawer is constructed from dove-tailed joinery craftsmanship, and their signature knife edge handles help to create an organic Mid-Century aesthetic, adding charm to create an elegant and versatile interior decor. Like many classic artisan desks from Denmark, its back features an open bookshelf and a small cupboard that drops down for additional storage and display options. This unique design allows it to effortlessly float in a room showcasing all its striking angles for the perfect home or office working environment. Our exceptional desk has been meticulously refinished by our expert craftsmen, keeping every detail as the original design showcasing the superior quality representative of Danish Modern design. It includes a brass skeleton key to store files safely.

Product care

Wood

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Designer spotlight

Gunni Omann

Renowned for his elegant and timeless teak seating and dining designs.

All Møller pieces

After

Before

Drag to reveal - 64 hours of bench work

The Restoration Record

Everything we touched, and everything we left alone

Sixty-four hours of bench time by two craftsmen in our Hyperion Avenue workshop. Period-correct methods and materials throughout.

Frame fully disassembled, joints cleaned of old glue and re-set with hide glue. One rear stretcher replaced with salvaged period teak, grain-matched.

Stripped by hand, sanded through 120/180/240/320 grit, then three coats of Danish oil cut back between coats. No lacquer, no filler, no stain.

New jute webbing over the original beech rails; horsehair and natural latex pad; Kvadrat wool bouclé in undyed oat.

Maker's stamp, original brass fittings and the patina on the arm caps, the marks that prove the piece lived.