Greta M. Grossman Series-62 Credenza for Glenn of California

Name: Greta M. Grossman Series-62 Credenza for Glenn of California
Brand: Glenn of California
Price: 6500.00 USD
Availability: OutOfStock

Greta M. Grossman

United States, 1950-1959

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Dimensions: 28in H x 26.75in W x 17.75in D
Materials: Walnut Wood, Laminate Top, Iron Hardware

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5448 E. Olympic Blvd., Los Angeles, CA 90022

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$150

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Greta M. Grossman Series-62 Credenza for Glenn of California

Greta M. Grossman

United States, 1950-1959

15+: Years of restoration craft
8,000: Pieces restored in-house
80+: Designers represented

A Californian icon designed by Swedish-American architect Greta M. Grossman in collaboration with the manufacturing company, Glenn of California in the United States during the 1950s. This credenza features a walnut wood construction with a glossy black laminate coating that contrasts beautifully with the warm wood hue and grain texture. The legs and leg joinery are made of solid black iron with spherical wood feet tips that add bold elegance to this exemplary design. The left side of the credenza features three walnut drawers with spherical walnut pulls, while the right side features a storage compartment with one adjustable shelf. Though designed in 1952, this credenza was part of the ’62 Series because it’s design was said to be 10 years ahead of its time. Its superior quality and remarkable craftsmanship showcase Californian Modern furniture design at its finest, adding a uniquely modern statement to any room. Our expert craftsmen have meticulously refinished our credenza keeping all original design principles, preserving its historical value.

Product care

Wood

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Designer spotlight

Greta M. Grossman

Renowned for his elegant and timeless teak seating and dining designs.

All Møller pieces

After

Before

Drag to reveal - 64 hours of bench work

The Restoration Record

Everything we touched, and everything we left alone

Sixty-four hours of bench time by two craftsmen in our Hyperion Avenue workshop. Period-correct methods and materials throughout.

Frame fully disassembled, joints cleaned of old glue and re-set with hide glue. One rear stretcher replaced with salvaged period teak, grain-matched.

Stripped by hand, sanded through 120/180/240/320 grit, then three coats of Danish oil cut back between coats. No lacquer, no filler, no stain.

New jute webbing over the original beech rails; horsehair and natural latex pad; Kvadrat wool bouclé in undyed oat.

Maker's stamp, original brass fittings and the patina on the arm caps, the marks that prove the piece lived.