Florence Knoll Two-Tone Lacquered & Walnut Credenza 2

Price Sold
Dimensions
27.50in H x 71in W x 17.75n D
Materials
Walnut Wood, Leather Pulls, Lacquered Wood Doors

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2103 Hyperion Avenue, Los Angeles, CA 90027

U.S. Shipping

$150

L.A. Shipping

Starting at $95

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Florence Knoll Two-Tone Lacquered & Walnut Credenza 2

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Ask about Florence Knoll Two-Tone Lacquered & Walnut Credenza 2

15+
Years of restoration craft
8,000
Pieces restored in-house
80+
Designers represented

Beautiful credenza designed by architect and designer Florence Knoll and manufactured by Knoll Associates Inc. circa 1950s. This iconic design features a walnut wood case over six solid polished steel chrome legs showcasing incredible craftsmanship. Four offset black and white lacquered sliding doors, with lock and key components, open to reveal four shelved compartments within. Each door has its new black leather pulls that perfectly complement the lacquered doors making a statement of elegance. Overall this unique and classic credenza with clean lines and a modern profile will surely be a focal point in your home or office.

Product care

Wood care tip

Wood

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Chrome and Brass care tip

Chrome and Brass

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Lacquer care tip

Lacquer

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Florence Knoll

Designer spotlight

Florence Knoll

Renowned for his elegant and timeless teak seating and dining designs.

All Møller pieces
After
Before
Drag to reveal - 64 hours of bench work

The Restoration Record

Everything we touched, and everything we left alone

Sixty-four hours of bench time by two craftsmen in our Hyperion Avenue workshop. Period-correct methods and materials throughout.

Frame fully disassembled, joints cleaned of old glue and re-set with hide glue. One rear stretcher replaced with salvaged period teak, grain-matched.
Stripped by hand, sanded through 120/180/240/320 grit, then three coats of Danish oil cut back between coats. No lacquer, no filler, no stain.
New jute webbing over the original beech rails; horsehair and natural latex pad; Kvadrat wool bouclé in undyed oat.
Maker's stamp, original brass fittings and the patina on the arm caps, the marks that prove the piece lived.