Finn Juhl Model 23-22 Teak Credenza for Baker Furniture

Price Sold
Dimensions
32.50in H x 72in W x 18in D
Materials
Teak Wood, Walnut Wood

Pick up from store

2103 Hyperion Avenue, Los Angeles, CA 90027

U.S. Shipping

$150

L.A. Shipping

Starting at $95

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Finn Juhl Model 23-22 Teak Credenza for Baker Furniture

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Ask about Finn Juhl Model 23-22 Teak Credenza for Baker Furniture

15+
Years of restoration craft
8,000
Pieces restored in-house
80+
Designers represented

Spectacular Model 23-22 credenza designed by distinguished Danish architect Finn Juhl in collaboration with the famous American manufacturing company, Baker Furniture during the 1950s. As part of their line called "Baker Modern," it represents a new concept in modern furniture to be used in the American interiors. Finn Juhl's philosophy for this line was to create a new style using fine soft details, flowing lines, with a practical approach to servicing functionalism and comfort. Our credenza features two separate solid teak cases that are supported on its sculpted dark walnut base, giving it a floating style, showcasing Juhl's light and minimalist aesthetic. It also features beautiful details throughout, like a raised sculpted lip on its top, curved metal pulls, and lacquered drawers in its interior compartment, showcasing superb craftsmanship and a unique style Juhl was known for. Our expert craftsmen team has meticulously refinished our credenza to show its natural amber teak grain for a beautiful warm and clean aesthetic. All while keeping all original design elements and craftsmanship, to maintain the classic essence of Juhl’s design and vision.

Product care

Wood care tip

Wood

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Finn Juhl

Designer spotlight

Finn Juhl

Renowned for his elegant and timeless teak seating and dining designs.

All Møller pieces
After
Before
Drag to reveal - 64 hours of bench work

The Restoration Record

Everything we touched, and everything we left alone

Sixty-four hours of bench time by two craftsmen in our Hyperion Avenue workshop. Period-correct methods and materials throughout.

Frame fully disassembled, joints cleaned of old glue and re-set with hide glue. One rear stretcher replaced with salvaged period teak, grain-matched.
Stripped by hand, sanded through 120/180/240/320 grit, then three coats of Danish oil cut back between coats. No lacquer, no filler, no stain.
New jute webbing over the original beech rails; horsehair and natural latex pad; Kvadrat wool bouclé in undyed oat.
Maker's stamp, original brass fittings and the patina on the arm caps, the marks that prove the piece lived.