Danish Modern Model FD-146 Lounge Chairs by Peter Hvidt & Orla Mølgaard-Nielsen 2

Price Sold
Dimensions
33in H x 24.50in W x 27in D / / / Seat Height 17in
Materials
Teak Wood, New Tweed Fabric, New Cane Backrest

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5448 E. Olympic Blvd., Los Angeles, CA 90022

U.S. Shipping

$150

L.A. Shipping

Starting at $95

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Danish Modern Model FD-146 Lounge Chairs by Peter Hvidt & Orla Mølgaard-Nielsen 2

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15+
Years of restoration craft
8,000
Pieces restored in-house
80+
Designers represented

Pair of lounge chairs designed by Peter Hvidt & Orla Mølgaard-Nielsen for France & Daverkosen in Denmark circa 1950’s. This spectacular pair of model FD-146 chairs feature a teak wood frame with a recently upholstered seat cushion in a quality soft grey tweed fabric for maximum comfort. The chairs have been fully restored by our expert craftsmen adding a newly caned backrest maintaining the original curved back design for optimum lumbar support. This iconic design will make the perfect addition to any interior highlighting the elegance and sophistication Danish Modern design is world known for.

Product care

Wood care tip

Wood

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Upholstery care tip

Upholstery

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Peter Hvidt & Orla Mølgaard-Nielsen

Designer spotlight

Peter Hvidt & Orla Mølgaard-Nielsen

Renowned for his elegant and timeless teak seating and dining designs.

All Møller pieces
After
Before
Drag to reveal - 64 hours of bench work

The Restoration Record

Everything we touched, and everything we left alone

Sixty-four hours of bench time by two craftsmen in our Hyperion Avenue workshop. Period-correct methods and materials throughout.

Frame fully disassembled, joints cleaned of old glue and re-set with hide glue. One rear stretcher replaced with salvaged period teak, grain-matched.
Stripped by hand, sanded through 120/180/240/320 grit, then three coats of Danish oil cut back between coats. No lacquer, no filler, no stain.
New jute webbing over the original beech rails; horsehair and natural latex pad; Kvadrat wool bouclé in undyed oat.
Maker's stamp, original brass fittings and the patina on the arm caps, the marks that prove the piece lived.