Californian Modernist Tambour-Door Walnut Credenza by Barzilay

Price Sold
Dimensions
32in H x 47.75in W x 18in D
Materials
Walnut Wood

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5448 E. Olympic Blvd., Los Angeles, CA 90022

U.S. Shipping

$150

L.A. Shipping

Starting at $95

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Californian Modernist Tambour-Door Walnut Credenza by Barzilay

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15+
Years of restoration craft
8,000
Pieces restored in-house
80+
Designers represented

This Californian Modernist tambour-door walnut credenza by Barzilay captures the warmth and refined simplicity of West Coast mid-century design. The tambour-style sliding doors reveal generous storage while maintaining a clean, uninterrupted façade, and the rich walnut veneer showcases beautiful grain variation throughout. Sleek lines, minimal hardware, and tapered legs give this piece a light yet substantial presence that works equally well in dining rooms or living spaces. Expert refinishing enhances the natural depth and luster of the wood while honoring the original design intent. In excellent condition and thoughtfully restored, this credenza combines functional storage with timeless modernist elegance.

Fun Historical Fact

California Modernism emerged in the mid-20th century as designers embraced relaxed proportions, natural materials, and indoor-outdoor living influences unique to the West Coast. Tambour doors—originally popularized in European and American office furniture—were reinterpreted by mid-century makers for residential use, offering space-saving convenience and sleek visual texture. Designers like Barzilay were part of a broader movement that blended Scandinavian simplicity with California’s casual sophistication. Today, pieces like this credenza are prized for their craftsmanship, versatile design, and ability to anchor both modern and eclectic interiors.

Product care

Wood care tip

Wood

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Barzilay

Designer spotlight

Barzilay

Renowned for his elegant and timeless teak seating and dining designs.

All Møller pieces
After
Before
Drag to reveal - 64 hours of bench work

The Restoration Record

Everything we touched, and everything we left alone

Sixty-four hours of bench time by two craftsmen in our Hyperion Avenue workshop. Period-correct methods and materials throughout.

Frame fully disassembled, joints cleaned of old glue and re-set with hide glue. One rear stretcher replaced with salvaged period teak, grain-matched.
Stripped by hand, sanded through 120/180/240/320 grit, then three coats of Danish oil cut back between coats. No lacquer, no filler, no stain.
New jute webbing over the original beech rails; horsehair and natural latex pad; Kvadrat wool bouclé in undyed oat.
Maker's stamp, original brass fittings and the patina on the arm caps, the marks that prove the piece lived.