Californian Modernist "Raindrop" Chrome Sculpture by Curtis Jere

This Californian Modernist “Raindrop” chrome sculpture by Curtis Jere is a striking example of mid-century American studio art, blending sculptural form with elegant simplicity. Crafted with a sleek chrome surface that reflects light and space, the work evokes cascading motion and organic fluidity. Its abstract, droplet-like elements create an engaging three-dimensional presence that works beautifully as both modern decor and collectible art. Designed to be displayed as a focal point in a living room, entryway, or gallery wall, the piece complements a wide range of interior styles from contemporary to vintage. Preserved in vintage condition, it remains a powerful statement of sculptural mid-century design.

Fun Historical Fact

Curtis Jere is the collective name of artists Curtis Freiler and Jerry Fels, who began producing metal sculptures in the early 1960s under the Jere name for Allied Imports (later Artisan House). Their work became emblematic of mid-century American decorative art, often blending abstraction with organic influences in materials like brass, chrome, and copper. The “Raindrop” motif reflects the era’s fascination with movement and nature, translating fluid forms into polished, modern sculptures. Over the decades, Curtis Jere pieces have become highly collectible for their craftsmanship, imaginative designs, and distinctive place in mid-century modern art and decor.

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Price $2,250

or from $187.50/mo with Affirm

Dimensions
26.50in H x 36in W x 8.50in D

Pick up from store

2103 Hyperion Avenue, Los Angeles, CA 90027

U.S. Shipping

$150

L.A. Shipping

Starting at $95

Simple & flexible returns

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15+
Years of restoration craft
8,000
Pieces restored in-house
80+
Designers represented

Californian Modernist "Raindrop" Chrome Sculpture by Curtis Jere

$2,250

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Product care

Chrome and Brass care tip

Chrome and Brass

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Artisan House

Designer spotlight

Artisan House

Renowned for his elegant and timeless teak seating and dining designs.

All Møller pieces
Before
After

The Restoration Record

Everything we touched, and everything we left alone

Sixty-four hours of bench time by two craftsmen in our Hyperion Avenue workshop. Period-correct methods and materials throughout.

Frame fully disassembled, joints cleaned of old glue and re-set with hide glue. One rear stretcher replaced with salvaged period teak, grain-matched.
Stripped by hand, sanded through 120/180/240/320 grit, then three coats of Danish oil cut back between coats. No lacquer, no filler, no stain.
New jute webbing over the original beech rails; horsehair and natural latex pad; Kvadrat wool bouclé in undyed oat.
Maker's stamp, original brass fittings and the patina on the arm caps — the marks that prove the piece lived.