Californian Modern "Flame Glaze" Planter by David Cressey & Robert Maxwell

Name: Californian Modern "Flame Glaze" Planter by David Cressey & Robert Maxwell
Brand: Architectural Pottery
Price: 4895.00 USD
Availability: InStock

Architectural Pottery

United States, 1960-1969

This exquisite flame-glazed ceramic planter by David Cressey and Robert Maxwell is a true testament to California modernism. Its rich, molten hues of deep amber, fiery orange, and earthy brown create a mesmerizing surface that feels both organic and artistic. The textured glaze adds depth and movement, making each piece uniquely dynamic under changing light. Crafted in the 1970s, its sculptural form and hand-applied glaze techniques make it not just a planter, but a statement of timeless craftsmanship. Built to withstand the elements, this stoneware beauty enhances any space, from mid-century interiors to lush outdoor gardens.

Fun Historical Fact: David Cressey and Robert Maxwell were pioneers of the California ceramic movement, blending functional pottery with sculptural artistry. Their planters became iconic in the mid-century design world, gracing the patios and interiors of architects like Richard Neutra and Frank Lloyd Wright.

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$4,895

or from $407.91/mo with Affirm

Dimensions: 16in H x 16.50in W x 16.50in D

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Pick up from store

2103 Hyperion Avenue, Los Angeles, CA 90027

U.S. Shipping

$150

L.A. Shipping

Starting at $95

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15+: Years of restoration craft
8,000: Pieces restored in-house
80+: Designers represented

Californian Modern "Flame Glaze" Planter by David Cressey & Robert Maxwell

Architectural Pottery

United States, 1960-1969

$4,895

Product care

Ceramic and Pottery

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Designer spotlight

Architectural Pottery

Renowned for his elegant and timeless teak seating and dining designs.

All Møller pieces

Before

After

The Restoration Record

Everything we touched, and everything we left alone

Sixty-four hours of bench time by two craftsmen in our Hyperion Avenue workshop. Period-correct methods and materials throughout.

Frame fully disassembled, joints cleaned of old glue and re-set with hide glue. One rear stretcher replaced with salvaged period teak, grain-matched.

Stripped by hand, sanded through 120/180/240/320 grit, then three coats of Danish oil cut back between coats. No lacquer, no filler, no stain.

New jute webbing over the original beech rails; horsehair and natural latex pad; Kvadrat wool bouclé in undyed oat.

Maker's stamp, original brass fittings and the patina on the arm caps — the marks that prove the piece lived.