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  • Bill Curry "Stemlite" White Tulip Table Lamp for Design Line
  • Bill Curry "Stemlite" White Tulip Table Lamp for Design Line
  • Bill Curry "Stemlite" White Tulip Table Lamp for Design Line
  • Bill Curry "Stemlite" White Tulip Table Lamp for Design Line
  • Bill Curry "Stemlite" White Tulip Table Lamp for Design Line
  • Bill Curry "Stemlite" White Tulip Table Lamp for Design Line

Bill Curry "Stemlite" White Tulip Table Lamp for Design Line

Bill Curry

United States, 1960-1969

Sold
Dimensions
14in H x 9in W x 9in D
Materials
Lacquered Metal, Original Glass Shade
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Pick up from store

5448 E. Olympic Blvd., Los Angeles, CA 90022

U.S. Shipping

$150

L.A. Shipping

Starting at $95

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If it's not a perfect fit, send it back. Read our Return Policy.
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Bill Curry "Stemlite" White Tulip Table Lamp for Design Line

Bill Curry

United States, 1960-1969

Inquiry

Ask about Bill Curry "Stemlite" White Tulip Table Lamp for Design Line
15+
Years of restoration craft
8,000
Pieces restored in-house
80+
Designers represented

Classic modern table lamp designed by Los Angeles based designer Bill Curry for Design Line's "Stemlite" series in the United States circa 1960s. Our unique table lamp feature an ivory-white enameled tulip base that hold its original globe, in its original vintage condition. The light has been professionally rewired by our team of experts for optimal functionality and durability. its base show very minor wear from age and use. This unique lighting icon will make the perfect addition to make any room glow with a warm modern flair.

Product care

Glass care tip

Glass

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Bill Curry

Designer spotlight

Bill Curry

Renowned for his elegant and timeless teak seating and dining designs.

All Møller pieces
After
Before
Drag to reveal - 64 hours of bench work

The Restoration Record

Everything we touched, and everything we left alone

Sixty-four hours of bench time by two craftsmen in our Hyperion Avenue workshop. Period-correct methods and materials throughout.

Frame fully disassembled, joints cleaned of old glue and re-set with hide glue. One rear stretcher replaced with salvaged period teak, grain-matched.
Stripped by hand, sanded through 120/180/240/320 grit, then three coats of Danish oil cut back between coats. No lacquer, no filler, no stain.
New jute webbing over the original beech rails; horsehair and natural latex pad; Kvadrat wool bouclé in undyed oat.
Maker's stamp, original brass fittings and the patina on the arm caps, the marks that prove the piece lived.