Adrian Pearsall 2454-TGO Coffee Table for Craft Associates 2

Name: Adrian Pearsall 2454-TGO Coffee Table for Craft Associates 2
Brand: Craft Associates
Price: 1950.00 USD
Availability: OutOfStock

Adrian Pearsall

United States, 1960-1969

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Dimensions: 15.5in H x 59in W x 19.5in D
Materials: Walnut Wood, New Custom Glass

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5448 E. Olympic Blvd., Los Angeles, CA 90022

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$150

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Adrian Pearsall 2454-TGO Coffee Table for Craft Associates 2

Adrian Pearsall

United States, 1960-1969

15+: Years of restoration craft
8,000: Pieces restored in-house
80+: Designers represented

2454-TGO Coffee table designed by Adrian Pearsall for Craft Associates in the United States circa 1960’s. Designed by one of the most iconic American designers, this coffee table is often referred to as the “Ribbon Table” due to its sculptural walnut wood base. The 2454-TGO features a new custom glass top allowing the beautifully crafted base visibility. The original table base has been recently refinished by our professional craftsmen adding many more years of use and turning this design into the perfect item to decorate your favorite room.

Product care

Ceramic and Pottery

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Chrome and Brass

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Glass

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Lacquer

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Designer spotlight

Adrian Pearsall

Renowned for his elegant and timeless teak seating and dining designs.

All Møller pieces

After

Before

Drag to reveal - 64 hours of bench work

The Restoration Record

Everything we touched, and everything we left alone

Sixty-four hours of bench time by two craftsmen in our Hyperion Avenue workshop. Period-correct methods and materials throughout.

Frame fully disassembled, joints cleaned of old glue and re-set with hide glue. One rear stretcher replaced with salvaged period teak, grain-matched.

Stripped by hand, sanded through 120/180/240/320 grit, then three coats of Danish oil cut back between coats. No lacquer, no filler, no stain.

New jute webbing over the original beech rails; horsehair and natural latex pad; Kvadrat wool bouclé in undyed oat.

Maker's stamp, original brass fittings and the patina on the arm caps, the marks that prove the piece lived.