Jorge Zalszupin “Presidencial” Rosewood Lounge Chair with Ottoman

Name: Jorge Zalszupin “Presidencial” Rosewood Lounge Chair with Ottoman
Brand: L’Atelier
Price: 18895.00 USD
Availability: OutOfStock

Jorge Zalszupin

Brazil, 1960-1969

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Dimensions: 24in H x 37in W x 30in D / / / Ottoman / / / 13.50in H x 21.50in W x 21.50in D
Materials: Rosewood Bentwood, Chrome Base, Brass Hardware

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5448 E. Olympic Blvd., Los Angeles, CA 90022

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Jorge Zalszupin “Presidencial” Rosewood Lounge Chair with Ottoman

Jorge Zalszupin

Brazil, 1960-1969

15+: Years of restoration craft
8,000: Pieces restored in-house
80+: Designers represented

Stunning rare lounge chair and ottoman designed by architect and designer, Jorge Zalszupin, in Brazil circa 1960's. Comprised of bent Brazilian rosewood, this set is representative of his organic aesthetic. The intricate rosewood grain is shown throughout after complete restoration by our team of skilled craftsmen. The bases are a combination of enameled and chrome-plated steel for structural durability. This chair exhibits superior craftsmanship and can be used to comfortably relax in for hours.

The cushions will be crafted with your choice of fabric or leather

Ottoman 13.50″H x 21.50″W x 21.50″D

Product care

Wood

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Chrome and Brass

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Designer spotlight

Jorge Zalszupin

Renowned for his elegant and timeless teak seating and dining designs.

All Møller pieces

After

Before

Drag to reveal - 64 hours of bench work

The Restoration Record

Everything we touched, and everything we left alone

Sixty-four hours of bench time by two craftsmen in our Hyperion Avenue workshop. Period-correct methods and materials throughout.

Frame fully disassembled, joints cleaned of old glue and re-set with hide glue. One rear stretcher replaced with salvaged period teak, grain-matched.

Stripped by hand, sanded through 120/180/240/320 grit, then three coats of Danish oil cut back between coats. No lacquer, no filler, no stain.

New jute webbing over the original beech rails; horsehair and natural latex pad; Kvadrat wool bouclé in undyed oat.

Maker's stamp, original brass fittings and the patina on the arm caps, the marks that prove the piece lived.